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Gibson Les Paul: New Bone Nut
July 2010
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| 1. The Factory Nut
on this Gibson Les Paul is worn out. I'll fabricate a new one from bone. |
2. Scoring the Lacquer
around the perimeter of the nut will prevent chipping when I lightly tap the nut with a block of wood and mallet. |
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| 3. Large Diaganol Cutters
gently extract the nut. |
4. Removing the Glue
from the nut seat with a sharp chisel. |
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| 5. Flattening the Nut
with 80 grit sandpaper on a flat marble slab. This will be the face I glue to the end-grain of the fretboard. |
6. Squaring the Blank
by holding the flattened face against a square block of steel as I sand the bottom of the nut blank. |
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7. Thickness-Sanding
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8. Finish Sanding
the headstock face of the nut with 2000 grit sandpaper gets rid of the 80 grit marks and fine-tunes the fit of the nut against the end-grain of the face-plate. |
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| 9. Flattening the
Nut-Seat and squaring it to the end of the fret- board is pretty quick and easy with some 320 grit self-adhesive sand- paper attached to the bottom of the nut. |
10. Scribing
the contour of the neck onto the pro- truding nut blank. |
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| 11. Shaping the Side
of the nut on the disc-sander. Tilting the bed of the disc-sander to 6 degrees allows for more control. |
12. Finish Sanding
the end of the nut with 2000 grit sandpaper gets rid of the disc-sander marks and fine tunes the fit. |
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| 13. Scribing the Fret
Contour onto the fretboard face of the nut. The pencil is cut in half and sanded flat. It is referencing the first two frets as I scribe. |
14. Disc-Sanding
the top of the nut with the bed angled at 6 degrees. I'll leave the nut a little proud of the line on the bass-side and just start to sand into the line on the treble-side. |
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| 15. Profiling the Top
of the Nut with 80 grit self-adhesive sandpaper attached to a paint stirring stick. I'll leave a little plateau of grinder marks. |
16. Final Shaping
the top of the nut with 180 grit sandpaper wrapped around a cork- lined sanding block. I'll finish-sand the nut with 2000 grit sandpaper to get rid of the 180 marks. |
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| 17. Rounding Over
the top corners of the nut with 2000 grit sandpaper. |
18. Polishing the Nut
with a small buffing wheel set. Next, I'll glue the nut in with a couple of drops of tite-bond. |
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| 19. Laying Out
the Nut Slots with a string spacing rule after I've notched the locations of the E-strings. |
20 Slotting the Nut
with nut slotting files. |
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| 21. Flossing the Nut
with abrasive chord cleans up the nut slots for improved tuning stability. |
22. Graphite
is a good dry-lubricant for nut slots. This also helps with tuning stability. |
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| 23. A New Bone Nut.
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